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・ Maria Grazia Buccella
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・ Maria Grazia Cutuli
・ Maria Eriksson
・ Maria Ernestam
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・ Maria Est
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・ Maria Eugénia Martins de Nazaré Ribeiro
・ Maria Eulàlia Gendrau Gallifa
・ Maria Eutokia Toaputeitou
Maria Ewing
・ Maria Fadiman
・ Maria Fahey
・ Maria Faka
・ Maria Falcione
・ Maria family
・ Maria Farantouri
・ Maria Fareri Children's Hospital
・ Maria Farida Indrati
・ Maria Faxell
・ Maria Faydherbe
・ Maria Fearing
・ Maria Febe Kusumastuti
・ Maria Fedecka
・ Maria Fein


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Maria Ewing : ウィキペディア英語版
Maria Ewing

Maria Louise Ewing (born March 27, 1950) is an American opera singer who has sung both soprano and mezzo soprano roles. She is noted as much for her acting as her singing.
==Life and career==
Ewing was born in Detroit, Michigan, U.S. the youngest of four daughters.〔 Her mother, Hermina M. (''née'' Veraar), was Dutch, and her father, Norman I. Ewing, was an American of Sioux Native American, Scottish, and African-American ancestry.〔〔; also archived (here )〕 She studied in Cleveland, Ohio and New York City.
Ewing made her debut at the Metropolitan Opera in 1976 in Mozart's ''The Marriage of Figaro''. Her first European performance was at La Scala, Milan as Mélisande in Debussy's ''Pelléas et Mélisande''. Her repertoire includes Carmen, Dorabella in Mozart's ''Cosi fan tutte'', Salome, Marie in Berg's ''Wozzeck'' and Shostakovich's ''Lady Macbeth of Mtsensk''. Ewing is particularly well known for her sensitive interpretation of the title role in Richard Strauss's ''Salome'', where Oscar Wilde's stage directions for the original play specify that, at the end of the so-called Dance of the Seven Veils, Salome lies naked at Herod's feet. Ewing appeared fully nude at the end of this sequence, in contrast to other singers who have used body stockings. She also sang and appeared in Henry Purcell's ''Dido and Aeneas''.
Ewing's discography includes video versions of ''Salome'' and ''Carmen'' and audio versions of ''Lady Macbeth of Mtsensk'' and ''Pelléas et Mélisande''. She has also recorded concert music by Ravel, Berlioz and Debussy and programs of popular American song. She played Rosina in a Glyndebourne production of ''Il barbiere di Siviglia'' (1982), available on DVD.
Ewing has also sung jazz in live performance, including appearances with the band Kymaera at Ronnie Scott's Jazz Club in London.
In 1982, she married the English theatre director Sir Peter Hall. The marriage ended in 1990; during this period of her life she was formally styled Lady Hall. Their daughter is the actress Rebecca Hall. Ewing makes her home near her birthplace.

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